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Die Wurlitzerorgel des Geistes

by F. K. Raeithel

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    direct metal master - 39 minutes and 57 seconds playtime, 33,3 rpm
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1.
Prolog 00:38
2.
3.
4.
5.
Am Wegesrand 05:12
6.
7.
8.
9.
10.
Epilog 01:56
11.
Ende 02:25

about

An operetta in 8 acts by Istari Lasterfahrers alter ego F.K. Raeithel.

Musique concrète composed with erratic transistors, noddled & wiggled with wires in states of uncertainty. From berlin school to frankfurt school to north-sumatra the voice of apple speech synthesis is drain into the konsonantenzentrifuge and the leftover stammer of words treated by speech cleaning applications and autotuned speakers join into the play.

»For advertising pur­poses the Wurlitzer organ humanizes the vibrato, once a carrier of subjective expression, by mechanically superimposing it on the mechanically produced sound. The jargon likewise supplies men with patterns for being human, patterns which have been driven out of them by unfree labor, if in fact traces of free labor did ever exist.«

»I like it for the buchla bongos.« — Vince

Cover Drawing by Chrizzi Heinen

credits

released October 21, 2022

A1 - Prolog
A2 - In Seidenpapier
A3 - Im Wiesengrund
A4 - Ich brauche nichts
A5 - Am Wegesrand

B1 - Ich möchte gern einen Apfel essen
B2 - Der Zug ist jetzt abgefahren
B3 - In Unbestimmtheit
B4 - Konsonantenzentrifuge
B5 - Epilog
B6 - Ende

Felix Karl Raeithel
Modular Synthesizer, Benjolin, Fieldrecordings, Klavier, Chimes,
Schallplatteneinspielungen, Apple Speech Voice, Effektgeräte, Patching, Montage und Mischung
Alle Stücke aufgenommen 2020 – 2022, A2 basiert auf einer Aufnahme von 2015 und B4 von 2001
Chrizzi Heinen - Cover Artwork / Zeichnungen - coconut-farm.org
Gefördert durch die Initiative Erratische Musik des Instituts für Elektroakustik Hamburg (West) Abteilung Akusmatische Forschung

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sozialistischer-plattenbau Hamburg, Germany

sozialistischer plattenbau, label & mailorder from hamburg, germany, released stuf from 1999 - now

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